The art world is undergoing a much-needed transformation, and it's about time we shed light on the incredible female artists who have been historically underrepresented. This collaborative effort between UK galleries is a step in the right direction, and I'm thrilled to see it unfold.
Breaking Down Barriers
The inequality faced by female artists is a legacy that needs to be addressed. By bringing together galleries from different regions, this exhibition, titled 'Making Her Mark', aims to showcase the talent of Britain's great female artists and challenge the male-dominated art scene.
A Collaborative Effort
What makes this exhibition particularly fascinating is the collaboration between Penlee House, Worcester City Art Gallery, and Kirkcaldy Galleries. Each gallery has contributed over 20 works, resulting in a diverse and powerful display. The process of finding common ground and aims was likened to 'speed dating' by Katie Herbert, the curator at Penlee House. This lighthearted approach to a serious issue is a refreshing take on curatorial practices.
Showcasing Talent
The exhibition features a range of artists, from the challenging and vibrant works of Tracey Emin and Barbara Hepworth to the likes of Laura Knight and Elizabeth Forbes. Personally, I find it intriguing how these artists, despite facing barriers, managed to create such powerful pieces. It's a testament to their resilience and talent.
Addressing Inequality
One of the key themes of the exhibition is the lack of access women had to art schools and the subsequent barriers they faced. A painting by Dod Procter, 'Portrait of Eileen Mayo', reflects this struggle, as the two artists had to paint each other in private due to restrictions on life classes. This piece highlights the creative solutions women had to employ to pursue their art.
A Thrilling Collaboration
The collaboration between the galleries has resulted in some exciting challenges and discoveries. For instance, the inclusion of a large tapestry by Imogen Bright Moon, a British Romani textile artist, required some creative thinking due to its unexpected size. The decision to display it next to the Tracey Emin piece is a bold move, creating an intriguing dialogue between the works.
A Step Towards Change
This exhibition is not just about showcasing female artists; it's about sparking conversations and prompting galleries to reevaluate their collecting policies. Gracie Divall, the programme lead for Going Places, believes that new relationships and collaborations are being forged, which is an exciting development. The future themes of heritage crafts and the refugee experience promise to continue this important dialogue.
Empowering Through Art
Additionally, the project encourages people to create their own art, with Kate Turner working with care-experienced young people to produce a protest banner. This initiative empowers individuals and ensures that the themes of the exhibition remain relevant and actionable.
A Continuing Dialogue
As Turner mentions, there is still a long way to go. The gender pay gap and misogyny persist in the arts and wider society. While representation has improved, we must continue these conversations and support female artists. This exhibition is a powerful step towards a more inclusive art world, and I hope it inspires further change.
